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ALDA JOÃO VASCONCELOS

ALDA JOÃO VASCONCELOS

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ARCHITECTURE PHOTOGRAPHY PORTFOLIO

November 11, 2017

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BLU HOTEL AT MOUZINHO DA SILVEIRA, BY DEMM ARQUITECTURA

AJphotography Analogue Photography Architecture Architecture Photography Design Photography Porto

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TYPOGRAPHIA COWORK BY ALEXANDRE LOUREIRO

AJphotography Analogue Photography Architecture Architecture Photography Design Hustle Photography Porto

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HOUSE IN RUA DA TORRINHA BY MARTA CAMPOS

AJphotography Analogue Photography Architecture Architecture Photography Design Events Photography Porto Tiles

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HOUSE IN RUA DO PARAÍSO BY FALA ATELIER

AJphotography Analogue Photography Architecture Architecture Photography Design Events Photography Porto Tiles

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BAIRRO DA BOUÇA BY SIZA VIEIRA | 35mm series

Analogue Photography Architecture Architecture Photography City Film Photography Porto Siza

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About me

Architect and Photographer.

I'm all about Architecture, Design, Travel and Photography, both digital and analog.

In this blog you'll find a little bit of what I do as an Architecture Photographer, as well as side projects I'm working on.

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IS KEVIN SAINT GREY THE MICHAEL KENNA OF ARCHITECTURE PHOTOGRAPHY?

Whoever is interested in Photography in general, and in landscape photography in particular, is familiar with Michael Kenna's work, and, in fact, it's impossible not to. The ethernal dawn and sunset, long exposed shots, are what made him so famous and distinguished beyond the contemporary photography realm. It was more recently, whan I was researching about the english photographer's work, that I stumbled upon another very unique portfolio: Kevin Saint Grey's. Kevin Saint Grey is a (mostly) fine art film photographer with an unique minimalist style. He shoots mostly landscape and architecture, and his work distinguishes itself for the serendipity of black and white, "humanless" and silent scenarios. He shoots with a Hasselblad 50mm lens, and has already won several prizes - much as Michael Kenna. He's not your common architecture photographer: one of his most characteristic composition techniques is symmetry and long exposures, although, h

PINK BALLOON INSTALLATION - WORK NO 329 | By Martin Creed, Vancouver's Rennie Gallery 2011

Martin Creed's Work No. 329, when it is fully installed at the Rennie Collection in Vancouver, with 2,950 party balloons half-fill the first-floor gallery so the room is half-balloon, half-air. Descending into it on the staircase from the second floor feels a bit like wading into a swimming pool. The work, Creed says, started as a "wee experiment" as he struggled with where to place artwork in a gallery: Filling the room eliminates the problem. But, as his works so often do upon reflection, it grew to mean more. "If you think the world's a messy, crazy place, then it seems to me like the sculpture ought also to be messy and crazy," Creed said in his Glaswegian brogue. "So the idea of this sculpture is it takes the shape not only of the room, but of the people in the room. And it moves around with the people. So it's basically like the world in that way." Text: Marsha Lederman . Martin Creed's website here .

DAVID HOCKNEY compositive polaroids

David Hockney, OM, CH, RA, is an English painter, draughtsman, printmaker, stage designer and photographer, who is based in Bridlington, Yorkshire and Kensington, London.An important contributor to the Pop art movement of the 1960s, he is considered one of the most influential British artists of the twentieth century.David Hockney has also worked with photography, or, more precisely, photocollage. Using varying numbers of small Polaroid snaps or photolab-prints of a single subject Hockney arranged a patchwork to make a composite image. One of his first photomontages was of his mother. Because these photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, which was one of Hockney’s major aims – discussing the way human vision works. Some of these pieces arelandscapes such as Pearblossom Highway #2 , others being portraits, e.g. Kasmin 1982, and My Mother, Bolton Abbey, 1982. Hockne

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