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ALDA JOÃO VASCONCELOS

ALDA JOÃO VASCONCELOS

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ARCHITECTURE PHOTOGRAPHY PORTFOLIO

November 11, 2017

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BLU HOTEL AT MOUZINHO DA SILVEIRA, BY DEMM ARQUITECTURA

AJphotography Analogue Photography Architecture Architecture Photography Design Photography Porto

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TYPOGRAPHIA COWORK BY ALEXANDRE LOUREIRO

AJphotography Analogue Photography Architecture Architecture Photography Design Hustle Photography Porto

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HOUSE IN RUA DA TORRINHA BY MARTA CAMPOS

AJphotography Analogue Photography Architecture Architecture Photography Design Events Photography Porto Tiles

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HOUSE IN RUA DO PARAÍSO BY FALA ATELIER

AJphotography Analogue Photography Architecture Architecture Photography Design Events Photography Porto Tiles

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BAIRRO DA BOUÇA BY SIZA VIEIRA | 35mm series

Analogue Photography Architecture Architecture Photography City Film Photography Porto Siza

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About me

Architect and Photographer.

I'm all about Architecture, Design, Travel and Photography, both digital and analog.

In this blog you'll find a little bit of what I do as an Architecture Photographer, as well as side projects I'm working on.

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DAVID HOCKNEY compositive polaroids

David Hockney, OM, CH, RA, is an English painter, draughtsman, printmaker, stage designer and photographer, who is based in Bridlington, Yorkshire and Kensington, London.An important contributor to the Pop art movement of the 1960s, he is considered one of the most influential British artists of the twentieth century.David Hockney has also worked with photography, or, more precisely, photocollage. Using varying numbers of small Polaroid snaps or photolab-prints of a single subject Hockney arranged a patchwork to make a composite image. One of his first photomontages was of his mother. Because these photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, which was one of Hockney’s major aims – discussing the way human vision works. Some of these pieces arelandscapes such as Pearblossom Highway #2 , others being portraits, e.g. Kasmin 1982, and My Mother, Bolton Abbey, 1982. Hockne

PABLO PICASSO light paintings for LIFE MAGAZINE, 1949

When LIFE magazine’s Gjon Mili, a technical prodigy and lighting innovator, visited Pablo Picasso in the South of France in 1949, it was clear that the meeting of these two artists and craftsmen was bound to result in something extraordinary. Mili showed Picasso some of his photographs of ice skaters with tiny lights affixed to their skates, jumping in the dark — and the Spanish genius’s lively, ever-stirring mind began to race. “Picasso” LIFE magazine reported at the time, “gave Mili 15 minutes to try one experiment. He was so fascinated by the result that he posed for five sessions, projecting 30 drawings of centaurs, bulls, Greek profiles and his signature. Mili took his photographs in a darkened room, using two cameras, one for side view, another for front view. By leaving the shutters open, he caught the light streaks swirling through space.” This series of photographs, known ever since as Picasso’s “light drawings,” were made with a small electric light i

IS KEVIN SAINT GREY THE MICHAEL KENNA OF ARCHITECTURE PHOTOGRAPHY?

Whoever is interested in Photography in general, and in landscape photography in particular, is familiar with Michael Kenna's work, and, in fact, it's impossible not to. The ethernal dawn and sunset, long exposed shots, are what made him so famous and distinguished beyond the contemporary photography realm. It was more recently, whan I was researching about the english photographer's work, that I stumbled upon another very unique portfolio: Kevin Saint Grey's. Kevin Saint Grey is a (mostly) fine art film photographer with an unique minimalist style. He shoots mostly landscape and architecture, and his work distinguishes itself for the serendipity of black and white, "humanless" and silent scenarios. He shoots with a Hasselblad 50mm lens, and has already won several prizes - much as Michael Kenna. He's not your common architecture photographer: one of his most characteristic composition techniques is symmetry and long exposures, although, h

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