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Showing posts from March, 2013

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FASSADES | Fachadas 2

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FLYING HOUSES | By Laurent Chéhère

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FASSADES | Fachadas 1

AJphotography Architecture

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CLOUDSCAPES | By Tetsuo Kondo, Tokyo 2011-12

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DESK AT PEUGEOT'S HEADQUARTERS IN PARIS | By Ben Swildens and Max Ingrand, 1966

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3D OSCAR NIEMEYER | by Vicente Paulo for Visionaire magazine

Architecture Photography

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OVEREXPOSURES 2 | By Dan Mountford

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About me

Architect and Photographer.

I'm all about Architecture, Design, Travel and Photography, both digital and analog.

In this blog you'll find a little bit of what I do as an Architecture Photographer, as well as side projects I'm working on.

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Recent

IS KEVIN SAINT GREY THE MICHAEL KENNA OF ARCHITECTURE PHOTOGRAPHY?

Whoever is interested in Photography in general, and in landscape photography in particular, is familiar with Michael Kenna's work, and, in fact, it's impossible not to. The ethernal dawn and sunset, long exposed shots, are what made him so famous and distinguished beyond the contemporary photography realm. It was more recently, whan I was researching about the english photographer's work, that I stumbled upon another very unique portfolio: Kevin Saint Grey's. Kevin Saint Grey is a (mostly) fine art film photographer with an unique minimalist style. He shoots mostly landscape and architecture, and his work distinguishes itself for the serendipity of black and white, "humanless" and silent scenarios. He shoots with a Hasselblad 50mm lens, and has already won several prizes - much as Michael Kenna. He's not your common architecture photographer: one of his most characteristic composition techniques is symmetry and long exposures, although, h...

OLAFUR ELIASSON | Your Chance Encounter, slow motion shadows

Danish-Icelandic artist Olafur Eliasson presents his work called ‘Your Chance Encounter’. Eliasson explores and plays with the architecture and functionality of the museum walls, bringing the institution to life, changing its rooms and corridors through his use of light, mirrors, shadow, color, wind and fog. ‘…To emphasize that it can be important to blur the boundaries between the traditional art object and space.’ The artist’s idea is to dematerialize the traditional objecthood in art. Also, in his way, he wants to open a dialogue and relationship between his work and the viewer, making his art accessible and interactive. The creation of a space in which to question our presence within this world. Source: CubeMe

DAVID HOCKNEY compositive polaroids

David Hockney, OM, CH, RA, is an English painter, draughtsman, printmaker, stage designer and photographer, who is based in Bridlington, Yorkshire and Kensington, London.An important contributor to the Pop art movement of the 1960s, he is considered one of the most influential British artists of the twentieth century.David Hockney has also worked with photography, or, more precisely, photocollage. Using varying numbers of small Polaroid snaps or photolab-prints of a single subject Hockney arranged a patchwork to make a composite image. One of his first photomontages was of his mother. Because these photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, which was one of Hockney’s major aims – discussing the way human vision works. Some of these pieces arelandscapes such as Pearblossom H...

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